Saturday, May 22, 2010

Book Review: "Blood Oath" by Christopher Farnsworth

It was only a matter of time, given the current vampire craze, that someone attempted to fuse political intrigue with everyone's favorite blood-suckers. Unfortunately Blood Oath by Christopher Farnsworth seems to be made up of clichés rather than anything of substance.

Nathanial Cade is a vampire who serves at the leisure of the President of the United States. Agreeing to be bound by a blood oath cast by a voodoo priestess, Cade has served since the presidency of Andrew Jackson and has protected every president since that time. Cade lives surrounded by relics of supernatural threats he has defeated but remains haunted by the real-life Dr. Frankenstein, known as Johann Konrad, who still lives and continues to perform experiments in hopes of creating the living dead.

Zach Barrows is a kind of political golden-boy. At least he was until he was caught in a compromising position with the President's daughter. He's been hand-picked by the President to replace Cade's current handler who is dying of cancer and soon realizes that there's a big, supernatural world that he never knew existed. And before Zach even has a chance to settle into his new position, he and Cade are called to a crime scene that involves a lot of severed body parts-- indicating that Konrad might be further along in his efforts to create a zombie super soldier than Cade realized.

"Blood Oath" is one of those books that are basically fun but really, really shallow. Farnsworth is a scriptwriter and it shows in the basic lack of character development and credibility. Just by reading the back cover of the book you know there's a good chance the story can go from zero to absurd in no time flat if it isn't written with a certain finesse, and I'm afraid it isn't.

What bothers me the most about "Blood Oath" are the clichés. You can literally check them off on your fingers: the pairing of the experienced, cynical partner and the smart-mouthed protege-- check; ambivalent hero-- check; psychotic, CIA black-op villains--check; long-standing grudge-match with evil nemesis-- check; gratuitous sex scene--check; explosions and gun fights--check; kidnap and torture of newbie partner-- check... I could go on like this for awhile. I mean, the whole book is like this.

But you know what? I take it back. There is something that bothers me more than the clichés.

Have you ever had one of those moments when you wanted to chuck a book across the room because a scene was too ridiculous? "Blood Oath" has a few of those. The one that really stands out is a scene in which one set of villains (in this case they are Muslim extremists) are carrying a severed head, intended to be part of the resurrected super-soldiers our other evil-villain has created, through the airport. When stopped by security they claim they are using the head for a "brain transplant" and are let through. Do I even have to explain why this scene is wrong on so many levels? And believe me, there is a lot of story construction here of this caliber.

Additionally the characters are not credible at all, with the villains being the worst. As I mentioned before one group of bad-guys happens to be a group of CIA black-ops agents. These people are recruited specifically because they lack anything resembling morals and are prone to committing all kinds of murder and mayhem. And I couldn't help wonder what made Farnsworth decide that if the CIA were to put together a group of agents with the license to operate outside the law, why would they pick the most unreliable, corrupt people they could find? None of the characters have much in the way of personality, but the traits they do have seem to consist of either fleeing the scene at the first sign of danger or killing the first co-worker that becomes inconvenient.

And, unfortunately, the heroes don't fare any better. For a novel that's intended to be a new take on the vampire myth, there is nothing new here. Cade is like all the other tortured, reluctant vampires who choose not to feed on human blood. I mean, that's it. The only original take on the story are the bits inserted to show the results of the tests the government has run to see the extent of Cade's abilities. And the partnership of Cade and Burrows doesn't make a whole lot of sense. Burrows is supposed to be the best-and-brightest type. An Ivy Leaguer with a quick wit. The only problem is that there are no demonstrations of logic or smarts that make us believe that Burrows is particularly bright, and his wit consists of dialog along the lines of "Dude, your girlfriend is weird."

Normally I don't out of my way to bash a novel. But I kind of want to at least ensure that one voice out there offers an honest review of "Blood Oath." If you go to the Amazon page for this book, you'll see a slew of 4 and 5 star reviews and the only conclusion I can come to is that Farnsworth has a lot of friends willing to review the book. I can see a smattering of readers saying the book is fun, but all the claims that this is the best vampire book ever! really leaves me suspicious that the reviews are not what I would consider honest assessments.

"iTit" Optical Wireless Mouse, sexy exceed restrain oneself


This is idea more than the imagination, it might make to is first impression meets all right and it might be able to guess not difficult that, what are you think?

"iTit" is number one in mouse designing get interesting and be attractive for use extremely because, it is designing mouse at get the inspiration is from the softness and sexy form of a breast.

This optical wireless mouse design tries to follow apple’s characteristics: minimal, sexy, and user friendly. The outer layer is made of delicate rubber to provide comfort and wrist safety. iTit offers emotional pleasure, fun, minimal appearance, and well-known tactile interaction. What do you think guys?

Disremember mouse like originally that use in nowadays go to. I will begin to am in love with mouse this already, because, it sexy the exceedingly

Note: still don't be finished only, try get back see mouse at design at more than sexy at "G-Point Mouse, more than the imagination and difficult explain"

Designer: Mostafa Tohidifar and David Abbasi



If you liked this mouse, you would also be interested in:
www.yankodesign.com

Friday, May 21, 2010

Two-bike in One-car


This is idea designing modern really. Because, this is the "Plug-In" affordable youth mobility project. This simple concept that can meet in the market around the Ahmedabad area of India in about "buy-one get one-free", cause idea to take two motorcycles and attach them in the middle.

Each motorcycle is owned by its respective party, a young person with a big appetite for sports vehicles but a small pocketbook, then they attach. Once two motos attach in the middle, they become that fantastic sports car from heaven.

Two drive-by-wire bikes are owned by separate people. They wanna attach them for a longer drive or some sort of trip that’s not great for motorcycle, or hey, if they just wanna cruuuze… they attach in the center of the two.

The hood is made of D3O, which when the bikes are not attached, stows away in the bike configuration. This whole concept is aimed to take on congested cities such as Mumbai.
Designer: Ramesh Gound


If you liked this vehicle, you would also be interested in:
www.yankodesign.com

Thursday, May 20, 2010

Book Review and Giveaway! "Roadkill" by Rob Thurman


The laptop dropped onto the ground in front of me.

Well shit.

When I refused to drop my head and read the screen, teeth nipped me hard over the ribs. I hissed, glared at the wolf and read what was typed on the screen. He'd used the caps lock again, either to get his point across or because he didn't believe much in my reading skills.

SUCKS TO BE ONE OF A KIND.

He rested his chin on my shoulder, sneezed at the dust and waited.

"Yeah," I commented after a long pause. "It does, Good Wolf or bad Auphe, it sucks to be the only one." Great. First Delilah, then him. They both had me pulling shit out of layaway early.

This time he nipped my shoulder before retrieving from the dirt the ink pen he'd dropped to bite me. He typed: ALL AUPHE WERE BORN BAD. YOU ARE NOT ALL AUPHE. YOU HAVE A CHOICE. YOU CAN BE GOOD. He considered, then backspaced, deleting the GOOD and changing it to NOT SO BAD. At least he was honest, the fur ball.

Then he punctuated the sentence. Joy. "I didn't know there was an emoticon for a dog humping another dog. Thanks for sharing." I took off the glasses and rubbed my eyes.

There was more typing. I glanced at the screen. At least now that he was sure he had my attention, he'd stopped with the capitalization. Cal smart monster. Cal can read. Good for me.

Knock knock.

"You've got to be kidding me," I groaned.

Knock knock, he persisted, growling around the pen.

"Okay, just to shut you up: Who's there?" I gave in. Why not? At this point, it was almost ludicrous. An Auphe being counseled by a butt-sniffing pound reject.

No one. The Auphe ate everyone in the house.

"You son of a bitch," I growled.

Knock knock. This time he didn't wait for the "Who's there?" Twenty cocker spaniels the Auphe is going to skin to make a pimp coat.

Seriously, quit it or I will shoot your mangy ass."

Knock knock.

God, he was as relentless as Niko. "Last one," I warned. "Last one or your ass is grass." The threat didn't hold much weight when it was followed with "Who's there?" I went on, resigned.

You, and what happens behind the door is up to you.

~Excerpt from Roadkill by Rob Thurman

Urban fantasy is frequently an amalgam of certain ingredients using involving magic, werewolves and/vampires, an urban setting an a smart-mouthed protagonist. I'm usually drawn to most of the elements thrown into the mix, but I will often complain about the snarky one-liners thrown in when I review most paranormal fiction. But the Cal Leandros series by Rob Thurman is the one series that I think uses this element effectively-- and actually has me looking forward to seeing what the characters are going to say next.

"Roadkill" is the fifth book in a series about Caliban and Niko Leandros. Technically Cal and Niko are half-brothers, but you wouldn't say that to Niko's face. Cal is the result of an unholy union between an Auphe and a Gypsy mother. The Auphe are the monstrous creatures that somehow became the basis for the elf myth-- even if the only thing the Auhpe have in common with elves are the pointy ears. Cal has spent most of his life running from the Auphe who had planned to use Cal to wipe humanity from the planet.

After defeating, and hopefully destroying, the Auphe, Cal has finally found some peace in his life. Working for his brother as a kind of supernatural private investigator and spending time with a very attractive female werewolf have done great things for Cal's mood. Yet good times seem to be fleeting for Cal, and when he is attacked by a werewolf he realizes that the wolves may not be too happy that one of their kind is sleeping with a man who is half-Auphe--but relationship troubles turn out to be the least of Cal's worries.

An ancient evil, known as the Plague of the World, has been stolen from his prison and an old Gypsy woman hires Cal and Niko to stop the man that created the Black Death before he has a second chance to unleash Hell on Earth.

I'm going to come right out and say it-- I'm a huge fan of Rob Thurman. She's one of the few reliable authors when it comes to urban fantasy. Five books in and I like the fifth book as much as the first-- and every one in between are worthy of reading again.

The relationships are the thing. Most of the books are told through Cal's perspective, though the last two books have seen a shift to include Niko, and even a werewolf's point of view. But Cal is who it is really all about. He is one of a kind-- and not in a good way. And if he has a smart-mouth, it's driven primarily out of the fear of what he may become if he loses his touch with his human side. The Auphe aren't known for their sense of humor. Cal's life line, in a very literal sense, has been his brother Niko. And there is no doubt that Cal will do anything to make his brother proud-- well, as long as he gets to complain about it first. But there is still always the danger that Cal's Auphe side will lose control and he'll do something that isn't just stupid, but potentially deadly. Niko's faith in him has not completely eased Cal's worries that he may, one day, harm his brother-- So it's a good thing Niko can kick Cal's butt ten times out of ten-- as Niko is only to happy to remind him.

Much of "Roadkill" is told as a sort of road-trip story, just one that has a half-Auphe, two werewolves, a Puck and a human along for the ride. These are the times when Cal really lets the snark show, and it could be annoying if wasn't balanced against the personalities of the other characters. Fortunately, all of Thurman's characters are strong enough to hold their own opposite Cal. His brother Niko is a super-disciplined martial arts expert who never fails to remind Cal that Cheetos do not belong in a major food group and Robin Goodfellow (famously known as the puck from William Shakespeare's "A Midsummer's Night's Dream) is on the trip to test a vow of monogamy and act as a general distraction.

Thurman keeps up the action, but also throws in a few, slightly disturbing, interludes to keep the pace from being too fast. This dark fantasy isn't for the faint of heart, but it's as fun as it is grim. Thurman always adds intriguing mythology to her warped world and I look forward to seeing what she comes up with. "Roadkill," for my money, is as good as urban fantasy gets.

Courtesy of Penguin Books I have one copy of "Roadkill" to offer for giveaway. Just add your information to the form below to enter (all information is guaranteed confidential and will be discarded once contest ends) and I will randomly pick a winner by Friday June 11th. No multiple entries please. All multiple entries will be discarded. Open everywhere.

Good luck!


233rd BIZARRO SUPERMAN

Wednesday, May 19, 2010

Photo Critique Session

So yesterday our class had a photography workshop with a lecture in the morning and a practice session in the afternoon. Then today we had a pin-up of our work -- images from both the workshop and anything we've taken so far on the trip. And lemme tell ya, there was some FANTASTIC work. The images presented ran the gamut -- they were comic, serious, sad, enlightening, confusing, nauseating, raw, mischievous, and stirring. Hopefully others plan to post their work, because there were some truly inspiring photos. Here are the photos I presented, plus a few that didn't quite make the cut for today's review:


Tour St Jacques - I liked the crisp definition of the tower, and the saturated colors of the sky and trees. Too bad there's that wayward branch on the left hand side. I'll be photoshopping that out soon...


Gardens at
Château de Versailles - I had to try a lot of different combinations of exposure times and aperture settings to get the right lighting effect without washing out the green or creating too much contrast.


Académie du spectacle équestre de Versailles - Such sad eyes...


Le Portager du Roi Versailles - Such intense eyes... yet that intensity is completely undermined by the blade of grass hanging from the beak.


Studio space - playing with shutter speeds. The subjects were not warned that I was taking a photo of them.


Cimetière du Père Lachaise - A close-up of a stained glass window. I was playing with exposure times here, letting the light wash out the image.


Archive Nationales: Musée de l'Histoire de France - In the courtyard. I loved the straight lines and rigidity here, especially the vertical columns and the way the woman is sitting on the bench. I only wish the sun had been a little brighter so the shadows of the columns on the wall were a little stronger.


Cimetière du Père Lachaise - This statue of a woman in mourning was utterly captivating.


Cimetière du Père Lachaise - This version seems a bit stronger than the other, as the statue is not immediately readable. There is a little more mystery to it, a bit more of a story.


Centre Pompidou - Looking at a structural truss member through a window, in front of another window. I like the layered effect created by seeing a reflection on top of the actual object, as well as seeing a reflection of that reflection in the other window.


Centre Pompidou - The tables in the cafe on the top floor were all decorated with a single rose. I really like the stark color contrast here.


Gardens at
Château de Versailles - The reflection of a guard fence around a fountain pool. I like that the reflection is strong enough and clear enough that it's almost impossible to see the water, or to see the image as a reflection at all.


Le Portager du Roi Versailles - Flowers filtered through a piece of rippled glass. Very impressionistic.


Académie du spectacle équestre de Versailles - The light from the fixtures is very nice, but the natural light falling through the windows is a bit harsh...


Passage du Grand Cerf - The metaphoto: me taking a picture of myself taking a picture of myself.


Château de Versailles - The crispness of the building edges, the saturation of the sky, and the glint of sun off the glass all come together to make this look like a magazine ad for Anderson Windows...


Cimetière du Père Lachaise - I really enjoy playing with limited focal depths and the location of the single in-focus element. What I like about this one is the way the chain leads the eye into the photo, but then becomes blurred and ambiguous, and leaves the eye to wander of its own accord.


Cimetière du Père Lachaise - I honestly have no idea how I took this photo. There was an extended exposure time involved, as well as a definite lack of a tripod, but I still can't figure out how the stained glass stayed crisp. As Anya (one of our instructors) said, "It's a miracle!"

And here are the photos that didn't make the cut in the presentation today:




Cimetière du Père Lachaise - Chopin's grave.


Cimetière du Père Lachaise - The same statue as in the earlier photos.


Studio space - Ivan tries to dodge my shot... he is partially successful...


Gardens at
Château de Versailles - Ahh, the view. It would have been good to be the King. Except for that whole beheading thing during the Revolution...


Le Portager du Roi Versailles - This dude's wardrobe was fantastic. Like a real life Waldo from "Where's Waldo," except toned down a bit.


Académie du spectacle équestre de Versailles - The clouds were nice, but there's too much of the shadowed building stealing focus.


Académie du spectacle équestre de Versailles - A better angle of the stalls pictured earlier, but this one is a little too washed out.


Centre Pompidou - Photoshopped, clearly.


Archive Nationales: Musée de l'Histoire de France - Better column shadows, but the woman is too small, and I don't like the guy reclining against the column base.


Cimetière du Père Lachaise - Every time I look at this photo I can't help but hear "Stand By Me" playing in the backround.

Photo Critique Session

So yesterday our class had a photography workshop with a lecture in the morning and a practice session in the afternoon. Then today we had a pin-up of our work -- images from both the workshop and anything we've taken so far on the trip. And lemme tell ya, there was some FANTASTIC work. The images presented ran the gamut -- they were comic, serious, sad, enlightening, confusing, nauseating, raw, mischievous, and stirring. Hopefully others plan to post their work, because there were some truly inspiring photos. Here are the photos I presented, plus a few that didn't quite make the cut for today's review:


Tour St Jacques - I liked the crisp definition of the tower, and the saturated colors of the sky and trees. Too bad there's that wayward branch on the left hand side. I'll be photoshopping that out soon...


Gardens at
Château de Versailles - I had to try a lot of different combinations of exposure times and aperture settings to get the right lighting effect without washing out the green or creating too much contrast.


Académie du spectacle équestre de Versailles - Such sad eyes...


Le Portager du Roi Versailles - Such intense eyes... yet that intensity is completely undermined by the blade of grass hanging from the beak.


Studio space - playing with shutter speeds. The subjects were not warned that I was taking a photo of them.


Cimetière du Père Lachaise - A close-up of a stained glass window. I was playing with exposure times here, letting the light wash out the image.


Archive Nationales: Musée de l'Histoire de France - In the courtyard. I loved the straight lines and rigidity here, especially the vertical columns and the way the woman is sitting on the bench. I only wish the sun had been a little brighter so the shadows of the columns on the wall were a little stronger.


Cimetière du Père Lachaise - This statue of a woman in mourning was utterly captivating.


Cimetière du Père Lachaise - This version seems a bit stronger than the other, as the statue is not immediately readable. There is a little more mystery to it, a bit more of a story.


Centre Pompidou - Looking at a structural truss member through a window, in front of another window. I like the layered effect created by seeing a reflection on top of the actual object, as well as seeing a reflection of that reflection in the other window.


Centre Pompidou - The tables in the cafe on the top floor were all decorated with a single rose. I really like the stark color contrast here.


Gardens at
Château de Versailles - The reflection of a guard fence around a fountain pool. I like that the reflection is strong enough and clear enough that it's almost impossible to see the water, or to see the image as a reflection at all.


Le Portager du Roi Versailles - Flowers filtered through a piece of rippled glass. Very impressionistic.


Académie du spectacle équestre de Versailles - The light from the fixtures is very nice, but the natural light falling through the windows is a bit harsh...


Passage du Grand Cerf - The metaphoto: me taking a picture of myself taking a picture of myself.


Château de Versailles - The crispness of the building edges, the saturation of the sky, and the glint of sun off the glass all come together to make this look like a magazine ad for Anderson Windows...


Cimetière du Père Lachaise - I really enjoy playing with limited focal depths and the location of the single in-focus element. What I like about this one is the way the chain leads the eye into the photo, but then becomes blurred and ambiguous, and leaves the eye to wander of its own accord.


Cimetière du Père Lachaise - I honestly have no idea how I took this photo. There was an extended exposure time involved, as well as a definite lack of a tripod, but I still can't figure out how the stained glass stayed crisp. As Anya (one of our instructors) said, "It's a miracle!"

And here are the photos that didn't make the cut in the presentation today:




Cimetière du Père Lachaise - Chopin's grave.


Cimetière du Père Lachaise - The same statue as in the earlier photos.


Studio space - Ivan tries to dodge my shot... he is partially successful...


Gardens at
Château de Versailles - Ahh, the view. It would have been good to be the King. Except for that whole beheading thing during the Revolution...


Le Portager du Roi Versailles - This dude's wardrobe was fantastic. Like a real life Waldo from "Where's Waldo," except toned down a bit.


Académie du spectacle équestre de Versailles - The clouds were nice, but there's too much of the shadowed building stealing focus.


Académie du spectacle équestre de Versailles - A better angle of the stalls pictured earlier, but this one is a little too washed out.


Centre Pompidou - Photoshopped, clearly.


Archive Nationales: Musée de l'Histoire de France - Better column shadows, but the woman is too small, and I don't like the guy reclining against the column base.


Cimetière du Père Lachaise - Every time I look at this photo I can't help but hear "Stand By Me" playing in the backround.